So I said I would do this, and now feel largely unqualified – but such is life sometimes I suppose.
What did people even argue about before they could fight about Tolstoy and Dostoevsky? As a Christian, one almost feels obligated to choose the latter. Also, War and Peace certainly lacks the cool monks of Brothers K (how’s that for literary criticism). But David Bently Hart has risen to the challenge and explained why we should actually prefer Tolstoy. You can read his entire article here. I will reference it along the way.
First, this is primarily a discussion of War and Peace and The Brothers Karamazov. The only other book I’ve read by either is Crime and Punishment – a book I enjoyed quite a bit actually. Also, it should be noted that while most seem to agree that The Brothers K is the best of Dostoevsky, it is not so simple with Tolstoy as I believe quite a few (including my mom) would hold that Anna Karenina is the true standard by which Tolstoy must be judged.
With those 400 disclaimers in place, I carry onward.
Before we get to Hart’s eloquence, let us pause to recall how awesome The Brothers K is. Each of the brothers is fantastic. I have never encountered anyone in a novel like Alyosha. Ivan’s encounter with the Devil just rocks. The family dynamic is very well done. The philosophy and theology is very much present, but not over bearing. The Inquisitor holds up well – even if it’s the only part of the novel the secular world discusses. Also, perhaps most importantly for me, at the end of The Brothers K it almost feels like you have been on a spiritual journey. It’s more that just a novel.
What’s so hilarious about that is it’s exactly what War and Peace so obviously tries to do: be more than a novel. I am used to extended narrator monologues but Tolstoy takes it to a whole ‘nother level with War and Peace. It’s like “Dude, I get it. Free will is not your bag. Let’s move on”. You feel like you’ve gone on a longer journey with Brothers K even though War and Peace is significantly longer.
But let us give Tolstoy some credit, via Hart:
But, if we look too closely, we will inevitably come to see that, however brilliantly Dostoevsky has fused together an ensemble of psychological convulsions and habits of temperament in each of these characters, the result of that fusion is in every case a creature that could never exist outside of the novel. One cannot enter into these characters; when one attempts to do so, they dissolve back into multiplicity. Not one of them is as plainly, poignantly, unexceptionally alive as, say, Pierre in War and Peace.
Yes! A point for Leo here. Tolstoy’s characters are just outrageously real. All of them are people you feel like you could meet or could imagine meeting. I just don’t get that sense in The Brothers K. There is something lacking here; things are a bit too tidy; everyone is too easily classifiable – not so with Tolstoy.
Furthermore, Tolstoy full realizes so many characters, and without much, if any, redundancy. It’s like any of at least ten characters could be a main character in any other novel. It’s quite impressive I’d say.
Also, the detail and epic sweep in Tolstoy are amazing. It’s not just that I move from a battle in Austria to a dinner party in Moscow; it’s that each are done so well, and in such detail. The social is not marginalized for the political or the war; everything is very well balanced. In the Brothers K, the confines of the drama are far narrower, and it lacks the range of Tolstoy. For example, Tolstoy’s take on war is very interesting and it’s a subject almost completely absent from the Brothers K.
Finally, Hart meets the Christian issue head-on (long quote to follow):
Among converts to Orthodoxy, for instance, as well as among many cradle Orthodox of a particularly rigorist kind, Dostoevsky is especially honored for having held firmly to Chalcedonian orthodoxy and having introduced the greater world to the figure of Father Zosima, from whom all the light of Eastern Christian contemplative spirituality shines out; and, more generally, among Christians of many confessions, Dostoevsky is revered as a prophet, the great Christian anti-Nietzsche, the voice of ancient Christian truth crying out in the spiritual desert of the modern West.
Tolstoy, by contrast, was practically a liberal Protestant, who thought of Jesus principally as a divinely inspired teacher of moral truth; he was not only indifferent to, but scornful of dogmatic tradition; he was even excommunicated, for goodness’ sake.
Fair enough, I suppose. I would observe, however, that there are all kinds of orthodoxy and all kinds of heresy. It is true that Dostoevsky personally assented—despite occasional episodes of doubt—to the creeds of the ancient church, and that he believed deeply in the mystical and sacramental traditions of the Orthodox church, and that in general his vision of things was shaped by traditional Christian understandings of sin and redemption.
That said, it is also true that his Chalcedonian orthodoxy was often almost inextricably confused with a dark, semipagan mysticism of the “Russian Christ” and of Russian blood and soil, and that he nursed slightly deranged fantasies of an Eastern Christian crusade to recapture Constantinople by violence, and that his virulent and contemptible anti-Semitism was anything but an accidental feature of his moral philosophy.
Tolstoy, on the other hand, despite his creedal heterodoxy, at least believed that, say, the sermon on the mount should be taken quite literally, and that Christ’s injunction to love our enemies and Paul’s claim that, in Christ, there is neither Jew nor Greek (and so forth) meant that Christians really ought not to kill Turks or hate Jews. If we were really to make conformity to Christian teaching our chief criterion of comparison between the two men, I would still hesitate to concede Dostoevsky the advantage.
That is a very good point. It seems that great men who we happen to agree with are often given the benefit of the doubt in their personal lives. Tolstoy may have inhabited the life that Dostoevsky often defended.
After all is said and done I have to say I am among those who still prefer The Brothers K. Hart makes some good points, and I have my own reasons for exalting War and Peace, but it just doesn’t connect with me like The Brothers K. I feel like that is a piss poor reason, but there you have it.